SUMMER
2016 ACRYLIC CLASS – Project: Working the Steps Week 1
This
class project is to give you some insight into how you can become a better
painter and to create better work habits. The best artists have their own
methods but they are very similar in that they will collect reference material,
do sketches, values and color studies, take photos and notes plus anything else
to prepare themselves to get down to the final painting. A good painting
doesn’t just pop out of the end of a brush or a piece of chalk, it is the
accumulation of knowledge and study.
I
usually provide a photo and a drawing for the class so we can get started on a
painting. Students are hungry to get into the “meat” of the project but they
rarely are interested in the “bones”. What I present in class has taken many
hours of looking through images of my own or from things I have clipped out of
papers and magazines or search out on the Internet, and that is just the
beginning.
Once
I have my reference material I then have to come up with a design for my
classes. If I am using one of my photos I may just do an outline of what I
already have for the project but if I am working from some other source or
maybe my reference isn’t all that exciting and needs to have other elements
included, I need to do what is called a “Composite” that is the final design is
made from more than one source of reference material.
If
I am doing a composite, I may have 2 or more reference photos that I am working
with to put together to create my final design and this takes time. I may do
several simple pencil sketches – some looking more like stick figures than a
drawing – and then I sometimes will do a detailed pencil drawing to see how
everything looks together and/or I may make a preliminary line drawing and do a
small study in watercolor or acrylic. Still, nothing is set in stone at this
point. If I am not satisfied with my results it is literally back to the
drawing board.
By
the time I get into class I am very familiar with my subject and then I paint
it again 4 times during class sessions. Sometimes I do get tired of the subject
but each time I do the paintings in class I learn something especially how the
subject works in the different mediums. You are always learning when you paint
so get out of the notion that you do one masterpiece then move on to the next,
it just doesn’t work like that for most serious artists.
This
project is from a plein air class I have been taking. You will notice that
there is a big difference between the photo I took and the study I did.
Photographs have their limitations and if you are going to work from them, you
are going to need to understand these limitations. First off, photos do not
give you the exact colors that were actually there. The human eye sees a lot
more color that any camera can so the colors which are in my watercolor are
more accurate than what you see in the photo because of the limitations of the
camera and this goes for all cameras no matter the expense.
When
you are working from these photos, it is best to use the real image to work out
your drawing and my watercolor to suggest what colors to use in your painting.
I
started with a charcoal sketch I did on the top part of my canvas then that I
worked into a value study using by mixing a dark gray with gesso, for the
white, ultramarine blue and burnt sienna. To make the gray lighter, I add gesso
to make it darker I add more blue and sienna, keeping it on the blue side. A
dark almost black can be made with the blue and sienna alone or blue and burnt
umber, no white.
Value
is more important than the color so I want to get it correct in my mind before
working on my final painting. This is where having a value scale is handy
especially when you are learning. Most art stores should have them or you can
make your own using ink and water on white paper.
You
do not need to do detail but you do need to see the different values, squinting
at the reference photos will help when looking for values.
We
may have time to do another project and this time you will have the choice of
doing your own or another one I provide, either way, I want you to try and work
the steps, if you will be working on your own project, get good reference
material and work on sketches, I can help and answer questions in class.
We
covered a lot of ground, do the best you can but keep painting and I will see
you in class.
Beautiful!
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